Group photo is one of the most memorable photos. The joy of reviewing period moments is incomparable to anything. If you remember to take a souvenir photo in the gatherings, be sure to think and record these pure moments for the future. Basically, when we want to take group and family photos.
We mostly try to see all the people present in the group in some way in the photo. Even in a small size. But with a few simple changes at the time of photography, you can record professional and unique photos. You can capture the best frames by following these simple tips.
when you want to take a group photo of people, it is better to use more of the environment. Instead of aimlessly gathering the whole group together to take a group photo, it is better to look for a good space first. Sometimes adding a little environmental elements to the subjects of group photography will help your subject to be seen well.
Be confident:
Organizing a group portrait can be stressful. That’s why you need to believe in your own abilities, not only in terms of taking pictures, but also in collaborating and coordinating with others.
forget about privacy when taking a group photo. Ask subjects to stick together! To make your group photo look more cohesive, ask them to form a semi-circle. By doing this, not only they are seen closer to each other in a natural way, which also saves a lot of space.
Many people believe that only a certain angle is good for a group photo! And all their photos are in the same angle and in the same special mode. It is true that not all people are good at photography, but always try to try all possible angles and modes.
Use a selfie or timer:
You can use the front camera to get all the members in the frame. It may be necessary for the photographer to stand a little further and move his hands as far as possible. Be aware that in this case the focus of the camera is not on a specific part so that the faces of all people are clear. You should use the same rear camera for a better quality photo. First, place the camera in front of the scene and adjust the frame. Then activate the timer and go to the other people yourself.
Take several pictures in a row:
When you are taking pictures of several people at the same time, it is almost impossible to check all of them at the same time. By taking several pictures, your options will increase and the subjects will be given time to prepare.
Sufficient lighting for group photos:
Soft and even lighting is essential when taking group photos. Check that the light shines evenly on each person in the group and that no one is in direct sunlight.
The distance from the camera to the subject, if you focus on that point, you will have the greatest depth of field. It means that from the subject you focus on, it will be behind the focus subject to infinity, and of course, some amount will be in front of the focus subject, which depends on the settings and conditions. In this definition, in fact, the closer we can focus, the closer the elements to the camera will be in focus, and the greater the depth of field. Of course, with the condition that it is in focus from that point to infinity, otherwise we can focus on any nearby object independently. Hyperfocal distance is more useful for landscape photography and nature photography. The hyperfocal distance changes by zooming and changing the aperture, so it is better not to use it in Tv mode in Canon or S in Nikon. In simple cameras that do not have aperture and zoom settings, the hyperfocal distance cannot be changed.Portrait Photography , Melbourne Portrait Photography , Portrait Location Photography , Portrait Location Photography.
When to use hyperfocal distance?
The hyperfocal distance is only important when you have several objects near and far from the lens and need them all to be sharp enough. Since you’re actually focusing between the two subjects, neither will be perfectly sharp, but both will be reasonably sharp. Also, if some elements are too close to your camera lens, hyperfocal distance will not help you at all.
Hyperfocal distance and camera lens
The hyperfocal distance depends on the opening and closing of the diaphragm and changes if it is opened or closed. If the aperture is too wide, focus on a distant point so that subjects at infinity are also in focus. And if the aperture is closed, the subjects that are far will remain clear, so the closer the aperture is, the closer the superfocal distance is to the lens.
Factors affecting hyperfocal technique
Factors that affect the depth of field determine the hyperfocal distance. These factors include:
Aperture: The hyperfocal distance depends on the opening and closing of the aperture. If the aperture is too wide, you have to focus on the far point so that the subjects that are at infinity are also under focus.
Focal distance: To have a greater viewing angle, we must have a closer focal length. A short focal length makes the hyperfocal distance closer.
Sensor size: One of the important factors in determining the hyperfocal distance is the size of the digital sensor. The larger the digital camera sensor, the closer the hyperfocal distance.
Find the hyperfocal distance
There are techniques to find the hyperfocal distance that can help any landscape photographer, and some of them are very simple. In summary, these techniques are:
Using the chart: To use the chart, select the focal length of a lens and record its focal length. Then choose the aperture value and get the appropriate hyperfocal distance with the chosen focal distance and aperture.
Using the focus scale
Distance equality method
Blur focus method
Using the formula: The formula for calculating the hyperfocal distance is:
H=f^2/Nc+f
Here (H) hyperfocal distance and (f) focal distance; (N) is the aperture number and (c) is the appropriate value (coc).
The role of light in photography industry
Using light in photography is as important as mastering composition. Especially in advertising photography, you should note that it is the light that determines which photo is good and which one is among the best. Advertising photography of food and advertising photography of clothing also benefit from adequate knowledge of light. In fact, light is the main means of photography, and a photographer must know the various qualities of light and take photographs based on his knowledge.
Types of light in photography
In general, lights are divided into the following two categories based on the type of source:
Natural Light: The lights created by natural elements such as the sun are called natural light. One of the most important advantages of natural lights is the spread of light in the environment; therefore, you can easily photograph different subjects in nature without using special equipment. Among the widely used tools for outdoor photography with natural light, we can mention reflector and diffuser. With the help of these tools, it is possible to change the direction of radiation and also reduce the light intensity for photographers. If natural light is controlled, attractive and high-quality photos can be recorded.
Artificial Light: Artificial lights are another type of light created by various types of light flashes such as studio, external, portable, etc. Artificial lights are more adjustable and controllable than natural lights and can be used in different time and place conditions. According to the type and characteristics of the artificial light source, the quality, power, radiation angle and color of the light are also different.
There are also other divisions from other perspectives, which are mentioned below:
Direct light: sunlight, flash light, studio lamp light, etc.
Indirect light radiation: lights created in the shadow, light passing through window or building glass, light reflected from smooth and polished surfaces.
What factors affect exposure?
In addition to the factors of brightness and brightness, there are other factors that should be evaluated. We will share with you a summary of the most important factors in the rest of the article:
Film speed (sensitivity): The first thing a photographer must do before metering is to make sure the ASA sensitivity of the film loaded in the camera is equal to the camera’s film sensitivity.
Camera movement: During exposure, to ensure that the image is not blurred due to sudden camera movement, it is better to shoot with the slowest speed recommended for hand-held camera photography (1.125 seconds).
Subject depth: The extent of the sharpened area in the image depends on the aperture of the lens. The narrower the aperture, the deeper the sharp image area
Subject movement: If we are going to photograph a moving subject, we have to freeze the movement in the film, so to speak. For this, the shutter speed needs to be higher than the object’s movement speed.
Subject color: Contrary to what may seem normal at first, light colored subjects should receive a bit more light and dark colored subjects should be given less light.
Subject Distance: The f-number is calculated based on the distance between the lens and the film when the lens is focused at infinity.
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